This is a bundled product that includes the SGM-250CX microphone and a custom furry windshield (SWS-CX). Buy the bundle and save compared to buying each item separately!
The SGM-250CX is a short length, condenser shotgun microphone that is ideal for mounting on compact digital cinema cameras, as well as DSLR and mirrorless cameras equipped with XLR adapters. Measuring at a mere 6 inches in length, the SGM-250CX can easily stay out of the way. Integrated in the microphone’s design is a hardwired, 13-inch XLR cable for convenient connection to camera microphone inputs. The microphone’s highly sensitive, condenser element is powered by standard 48 V phantom power, which most XLR microphone inputs can provide.
The SGM-250CX includes Azden’s SMH-X shock mount which mounts to standard size camera shoe slots, as well as ¼”- 20 threaded mounts and tripods. Also included are diameter expander sheets for universal compatibility with ring-clamp style microphone mounts.
The SGM-250 microphone series has become notable in the industry for its natural, professional sound. Specifically tuned to preserve the natural qualities of a speaking subject. While other manufactures hype-up the bass response on their microphones, making the audio sound muddy, or over-accentuate high mids, making dialogue tracks sound harsh, you can expect the SGM-250CX to accurately record the sound of your scene.
You can rely on the SGM-250CX for great reference audio, but it’s capable of more than that. Its low noise, and wide frequency response performance means it can capture audio good enough for the final cut. Whether you run and gun, mount to a pistol grip or a boom pole, the SGM-250CX can be your go-to mic for great dialogue capture.
In The Box
This bundle includes everything you need to start improving the audio quality of your videos. Comes with an on-camera shotgun microphone, a wireless lavalier system, and a mixer so you can use both at the same time if you want. As a bonus, all three components could be made compatible with mobile devices via the included TRRS adapter cable.
Vastly improve the sound of your videos with Azden microphones; proudly handcrafted in Japan. The SGM-990+i is a directional zoom microphone with two selectable pick-up patterns for long and short distances, perfect for focusing in on dialogue in your videos. Designed for use with cameras, this microphone is also compatible with most smartphones and tablets when using the included TRRS adapter cable: a great solution for live streaming videos and vlogging. The included shock mount holder facilitates on-camera mounting and isolates the microphone from handling and motor noise. The included windscreen helps reduce wind noise during outdoor shooting.
See list of compatible mobile devices
Azden’s PRO Series wireless microphone systems have been a mainstay amongst entry level video shooters since the 1980s! Still extremely popular to this day because of their ease of use and affordability, the PRO series has undergone a number of evolutions over the years. This most recent update to the line is the addition of an adapter cable to make PRO Series wireless microphones compatible with smartphones, tablets and mobile devices!
Introducing Azden i-Coustics: a sub brand of Azden audio products that work with mobile devices. With the WLX-PRO+i, now there’s a wireless lavalier microphone solution for shooting video with your iPhone, Android phone, iPad, Android tablet etc. Still compatible and originally designed for use with DSLR cameras and camcorders (with 3.5mm stereo mic inputs) this kit also includes an adapter cable that allows you to plug the wireless receiver into the headset input of your mobile device.
The WLX-PRO+i wireless microphone system consists of Azden’s popular single channel WR-PRO receiver and WL/T-PRO lavalier microphone and body-pack transmitter. The receiver is lightweight and comes fitted with a shoe mount for on-camera mounting. The transmitter is equal in size and weight compared to the receiver, and can be comfortably worn on a belt or just stuffed in your back pocket.
Super simple to use, pairing the transmitter and receiver is a breeze! Just set both units to either F1 or F2. A green light on your receiver means you’re linked and ready to go!
Unbeatable in affordability and easy of use, Azden’s PRO Series wireless kits have everything you need to start shooting and recording wireless audio with your DSLR camera, camcorder, and now even with your smartphone or tablet!
The CAM-3 miniature 3-channel microphone mixer allows you to add and mix sound from 3 microphone sources simultaneously. The mixer features 2 mono 3.5mm input jacks and 1 stereo 3.5mm input jack. The output is also a stereo 3.5mm jack. The electronics of the CAM-3 are passive which means it operates without batteries or a power source.
Features
This bundle includes everything you need to start improving the audio quality of your videos. Comes with an on-camera shotgun microphone, a handheld wireless microphone system, and a mixer so you can use both at the same time if you want. As a bonus, all three components could be made compatible with mobile devices via the TRRS adapter cable included with the SGM-990+i.
Vastly improve the sound of your videos with Azden microphones; proudly handcrafted in Japan. The SGM-990+i is a directional zoom microphone with two selectable pick-up patterns for long and short distances, perfect for focusing in on dialogue in your videos. Designed for use with cameras, this microphone is also compatible with most smartphones and tablets when using the included TRRS adapter cable: a great solution for live streaming videos and vlogging. The included shock mount holder facilitates on-camera mounting and isolates the microphone from handling and motor noise. The included windscreen helps reduce wind noise during outdoor shooting.
See list of compatible mobile devices
The WHX-PRO is an easy to use and affordable wireless audio system combining the WM/T-PRO handheld transmitter and WR-PRO camera mount receiver.
The WM/T-PRO is a handheld microphone with a built-in transmitter. It transmits on the standard “PRO” frequencies (169.445MHz and 170.245MHz) and is compatible with all PRO Series receivers. The WM/T-PRO has a standby switch to mute audio and a rubberized coating to reduce handling noise. Runs on a single “AA” battery for up to 10 hours of continuous use.
The WR-PRO is a single channel receiver, but has two selectable operating frequencies to choose from (169.445MHz and 170.245MHz) giving the user an option in case one channel has interference. Comes with camera shoe mount and a 3.5mm mono to stereo microphone output cable.
The CAM-3 miniature 3-channel microphone mixer allows you to add and mix sound from 3 microphone sources simultaneously. The mixer features 2 mono 3.5mm input jacks and 1 stereo 3.5mm input jack. The output is also a stereo 3.5mm jack. The electronics of the CAM-3 are passive which means it operates without batteries or a power source.
Features
The SGM-250CX is a short length, condenser shotgun microphone that is ideal for mounting on compact digital cinema cameras, as well as DSLR and mirrorless cameras equipped with XLR adapters. Measuring at a mere 6 inches in length, the SGM-250CX can easily stay out of the way. Integrated in the microphone’s design is a hardwired, 13-inch XLR cable for convenient connection to camera microphone inputs. The microphone’s highly sensitive, condenser element is powered by standard 48 V phantom power, which most XLR microphone inputs can provide.
The SGM-250CX includes Azden’s SMH-X shock mount which mounts to standard size camera shoe slots, as well as ¼”- 20 threaded mounts and tripods. Also included are diameter expander sheets for universal compatibility with ring-clamp style microphone mounts.
The SGM-250 microphone series has become notable in the industry for its natural, professional sound. Specifically tuned to preserve the natural qualities of a speaking subject. While other manufactures hype-up the bass response on their microphones, making the audio sound muddy, or over-accentuate high mids, making dialogue tracks sound harsh, you can expect the SGM-250CX to accurately record the sound of your scene.
You can rely on the SGM-250CX for great reference audio, but it’s capable of more than that. Its low noise, and wide frequency response performance means it can capture audio good enough for the final cut. Whether you run and gun, mount to a pistol grip or a boom pole, the SGM-250CX can be your go-to mic for great dialogue capture.
The FMX-DSLR is a Professional Low Noise Audio Mixer for DSLR Cameras. With the same advanced circuitry as our top-of-the-line mixers the FMX-DSLR is designed for the demanding needs of Professional DSLR users. The small, battery operated (4-“AA”) mixer can be attached directly to a camera or tripod with the integral threads. The FMX-DSLR has the following features: AGC switch for noiseless operation, 2 XLR microphone inputs with individual level controls and switchable phantom power, stereo mini jack microphone input, mini jack line level input, stereo mini plug microphone output and headphone output with level control. LED peak level indicators, input return function (RTN) to monitor camera audio and a power switch with power on/low battery LED.
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The SMX-30 microphone offers a video shooter maximum versatility because it can be a directional shotgun microphone or a stereo microphone, changeable with a flip of the switch. The mono mode is perfect for capturing dialogue as it focuses in on your speaking subject while rejecting noise from the surrounding environment. Meanwhile, the stereo mode is capable of capturing realistic, immersive audio that enhances the viewer’s experience, which is ideal for recording scenes like a musical performance or a sporting event. Other features include a 3-stage gain control switch with a +20 dB boost or -10 dB pad, a low-cut filter switch for mitigating low-frequency noise, and an automatic power mode that will turn the microphone on or off with your camera.
Sometimes you just need to get a microphone really up-close to your speaking subject, but the situation doesn’t allow for booming a microphone. That’s when you need a wireless system. The PRO-XD gives you a lavalier microphone that you can clip to your shirt which connects to a small transmitter that you can wear on your belt or in your pocket. The wireless receiver is equally small and mounts right on top of your camera, connecting into the microphone input. The wireless signal is digital, which has the advantage of being unaffected by traditional radio interference and capable of a higher quality audio (48 kHz/16 bit). The system is easy to use, with automatic synching between the transmitter and receiver. Available volume control on the receiver allows you to set the perfect audio level.
In addition to it’s compatibility with DSLR and mirrorless cameras, the PRO-XD comes with an adapter cable to allow you to use it with a smartphone or tablet. No special apps are needed, just record with the on-board video app. Compatibility extends up to the latest iPhone X, Samsung Galaxy S8 and more. Plus, the PRO-XD’s small size makes it very convenient to use with mobile devices and easy to travel with.
Specifically designed for the SMX-30 microphone to reduce wind noise. A must have for outdoor shooting.
Take your sound to the next level with the upgrade microphone for PRO-XD. Tuned for richer lows and smoother highs, it allows you to capture broadcast quality sound.
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The SMX-15 is perfect for anyone shooting video with their DSLR or mirrorless camera. Designed to mount on camera, it’s directional shotgun pick-up pattern focuses in on the sound of whatever you are pointing at, making it an great solution for run-and-gun video work. On the back of the microphone: gain control switch allows you to dial in the right audio level to suit the environment while minimizing noise; the low-cut filter switch gives you an optional tool to reduce low frequency background noise like wind or HVAC systems; finally the auto-on feature gives you one less thing to think about while you shoot video, turning the microphone on and off automatically with the camera.
Sometimes you just need to get a microphone really up-close to your speaking subject, but the situation doesn’t allow for booming a microphone. That’s when you need a wireless system. The PRO-XD gives you a lavalier microphone that you can clip to your shirt which connects to a small transmitter that you can wear on your belt or in your pocket. The wireless receiver is equally small and mounts right on top of your camera, connecting into the microphone input. The wireless signal is digital, which has the advantage of being unaffected by traditional radio interference and capable of a higher quality audio (48 kHz/16 bit). The system is easy to use, with automatic synching between the transmitter and receiver. Available volume control on the receiver allows you to set the perfect audio level.
In addition to it’s compatibility with DSLR and mirrorless cameras, the PRO-XD comes with an adapter cable to allow you to use it with a smartphone or tablet. No special apps are needed, just record with the on-board video app. Compatibility extends up to the latest iPhone X, Samsung Galaxy S8 and more. Plus, the PRO-XD’s small size makes it very convenient to use with mobile devices and easy to travel with.
Specifically designed for the SMX-15 microphone to reduce wind noise. A must have for outdoor shooting.
Take your sound to the next level with the upgrade microphone for PRO-XD. Tuned for richer lows and smoother highs, it allows you to capture broadcast quality sound.
]]>The SGM-250CX is a short length, condenser shotgun microphone that is ideal for mounting on compact digital cinema cameras, as well as DSLR and mirrorless cameras equipped with XLR adapters. Measuring at a mere 6 inches in length, the SGM-250CX can easily stay out of the way. Integrated in the microphone’s design is a hardwired, 13-inch XLR cable for convenient connection to camera microphone inputs. The microphone’s highly sensitive, condenser element is powered by standard 48 V phantom power, which most XLR microphone inputs can provide.
The SGM-250CX includes Azden’s SMH-X shock mount which mounts to standard size camera shoe slots, as well as ¼”- 20 threaded mounts and tripods. Also included are diameter expander sheets for universal compatibility with ring-clamp style microphone mounts.
The SGM-250 microphone series has become notable in the industry for its natural, professional sound. Specifically tuned to preserve the natural qualities of a speaking subject. While other manufactures hype-up the bass response on their microphones, making the audio sound muddy, or over-accentuate high mids, making dialogue tracks sound harsh, you can expect the SGM-250CX to accurately record the sound of your scene.
You can rely on the SGM-250CX for great reference audio, but it’s capable of more than that. Its low noise, and wide frequency response performance means it can capture audio good enough for the final cut. Whether you run and gun, mount to a pistol grip or a boom pole, the SGM-250CX can be your go-to mic for great dialogue capture.
In The Box
The SMX-15 Powered Shotgun Video Microphone was engineered to produce excellent sound quality for video recorded by DSLR and other compact cameras. The microphone element is the same used by Azden’s professional shotgun microphones, the SGM-250 an SGM-250P, and is capable of capturing broadcast quality sound. The acoustically tuned slots of the shotgun barrel give the SMX-15 it’s super-cardioid polar pattern which allows you to focus on sound in front of the camera, while reducing capture of extraneous noise from the rest of the environment.
The audio controls on DSLR cameras are limited, if they exist at all. And DSLRs are notoriously known to have low-quality microphone preamps that add noise to the video soundtrack when the gain is turned up. That’s why Azden designed the SMX-15 with a +20dB gain booster; so you can get a strong, clean audio signal into your camera, minimizing the need to turn up the noisy preamp.
Also included is a -10dB pad to protect against distortion when recording in loud environments such as live concerts and motorsport events.
The SMX-15 has a wide frequency response ranging from 40Hz to 20kHz, so the audio you capture will sound full and natural. Additionally, a low-cut filter switch is included for reducing the level of low frequencies below 120Hz, which is especially useful for mitigating noise caused by air conditioners, wind and traffic.
The SMX-15 is powered by two AA batteries; a lower cost option than the 9V battery that is used in some competitor microphones. The SMX-15 can achieve 24 hours of operation with a single set of batteries with absolutely no degradation of sound quality. The battery indicator LED light lets you know when it’s time to change batteries with up to a 1 hour warning.
Maximize battery life by using the unique “Auto” power setting. When set to Auto, the SMX-15 can detect when a camera is on and will automatically power on and off with the camera (requires a mic input that provides plug-in power). Ever leave your microphone on by accident to discover that the batteries are dead the next time you try to use it? Eliminate that possibility by always leaving the SMX-15 in “Auto” mode.
Integrated into the design of the SMX-15 is a custom made, shock absorbing shoe mount to isolate the microphone from camera motor and handling noise. The mount is designed to fit the standard camera shoe and comes with a ¼”-20 thread at the bottom for mounting to boom poles and other camera accessories.
]]>The SMX-30 was engineered to be the ultimate video microphone with outstanding audio quality, appealing design, ergonomic form factor, and all of the functional features one expects in a top-of-the-line, camera-mounted microphone.
If you only have the budget to buy one microphone for your camera, why should you have to choose between mono or stereo? The SMX-30 is stereo/mono switchable, so you don’t have to.
Housed inside an innovative casing, the SMX-30 is actually two microphones packaged into one. The stereo microphone is positioned at the top and consists of 2 cardioid polar pattern microphone elements spaced apart at a 120º angle for capturing a natural sounding stereo image. The mono microphone uses a super-cardioid polar pattern to focus on sound in front of the camera and is equipped with the same high-quality element as Azden’s SGM-250 shotgun microphone to record broadcast quality sound.
The audio controls on DSLR cameras are limited, if they exist at all. And DSLRs are notoriously known to have low-quality microphone preamps that add noise to the video soundtrack when the gain is turned up. That’s why Azden designed the SMX-30 with a +20dB gain booster; so you can get a strong, clean audio signal into your camera, minimizing the need to turn up the noisy preamp.
Also included is a -10dB pad to protect against distortion when recording in loud environments such as live concerts and motorsport events.
The SMX-30 has a wide frequency response ranging from 40Hz to 20kHz, so the audio you capture will sound full and natural. Additionally, a low-cut filter switch is included for reducing the level of low frequencies below 120Hz, which is especially useful for mitigating noise caused by air conditioners, wind and traffic.
The SMX-30 is powered by two AA batteries; a lower cost option than the 9V battery that is used in some competitor microphones. The SMX-30 can achieve 24 hours of operation with a single set of batteries with absolutely no degradation of sound quality. The battery indicator LED light lets you know when it’s time to change batteries with up to a 1 hour warning.
Maximize battery life by using the unique “Auto” power setting. When set to Auto, the SMX-30 can detect when a camera is on and will automatically power on and off with the camera (requires a mic input that provides plug-in power). Ever leave your microphone on by accident to discover that the batteries are dead the next time you try to use it? Eliminate that possibility by always leaving the SMX-30 in “Auto” mode.
Integrated into the design of the SMX-30 is a custom made, shock absorbing shoe mount to isolate the microphone from camera motor and handling noise. The mount is designed to fit the standard camera shoe and comes with a ¼”-20 thread at the bottom for mounting to boom poles and other camera accessories.
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