Comes with a windscreen and Azden’s unique shockmount holder with integrated shoe-mount.
]]>Tried, tested and true; Azden’s SGM-1X has been in production since the mid 1990s and has long established itself as reliable, affordable and durable shotgun microphone by filmmakers, videographers and broadcasters alike. Well known in the industry, the SGM-1X is often the first microphone purchased by aspiring filmmakers, who in turn love it so much they continue to use it and recommend it throughout their careers.
The SGM-1X’s popularity is due in part no doubt to its affordability, but it is also a high quality shotgun microphone. Its super-cardioid polar pattern makes it exceedingly good at picking up speech in noisy environments. Its battery operation allows for use without phantom power, which may not be available on less expensive camera equipment. And with up to 1,000 hours of operation on one AAA battery, you won’t have to worry about carrying a ton of spare batteries around to get through a long shoot.
Proudly handcrafted in Japan, the SGM-1X’s construction is durable and designed to last for many years. Buy with confidence with Azden’s 2 Year Warranty.
Azden has been making shotgun microphones specifically for the film and broadcast industry for over 20 years, but now with the introduction of the all new SGM-250 Professional Dual Powered Shotgun Microphone, Azden has Raised The Bar.
Azden engineers have taken a ground up approach to designing the SGM-250, setting a higher standard not just within their own product line, but also across the market with other shotgun microphones in the same price range.
The SGM-250’s newly designed microphone element drastically improves performance in sensitivity, frequency response and signal to noise ratio. The brass alloy, all-metal case provides rugged durability and strong resistance to RF. The microphone’s uniquely designed, slotted, acoustic barrel exhibits excellent super-cardioid directionality and side noise rejection.
The SGM-250 can be powered by battery or phantom power with no perceivable loss in performance between the two, providing the user with maximum flexibility without compromise. No need to remove the battery in order to switch to phantom power; just flip the easily accessible switch on the microphone’s body. A convenient LED light is also provided to let you know if the battery is good or needs replacing soon.
Even the microphone’s low-cut filter is a point of improvement: set at a higher cut-off frequency than most other microphones, and a more gradual roll-off, it produces a much more natural sounding reduction in low frequency response.
Measuring 250mm in length (about 10 inches) the SGM-250 is suitable for almost any filming situation. Long enough to capture great sound from a distance while mounted to a boom pole or on top of a shoulder cam, its still unobtrusive enough to be used on compact DSLR cameras.
The SGM-250P Professional Shotgun Microphone was designed for video and filmmaking professionals to deliver broadcast quality sound at a low budget price. Boasting the same level of high quality construction and sound performance as the SGM-250 model, the SMG-250P is a phantom powered only model, offering an even more affordable solution for those who do not require a battery power option in their microphone.
Azden has set a new level in quality and performance with the SGM-250 and SGM-250P: A completely redesigned microphone element drastically improves sensitivity, frequency response and signal to noise ratio. The all metal-alloy case provides rugged durability and strong resistance to RF. The microphone’s custom designed, slotted, acoustic barrel exhibits excellent super-cardioid directionality and side noise rejection.
The SGM-250P also comes equipped with an easily accessible low-cut filter switch on the body of the microphone. Set at 160Hz with a 3dB/octave roll off, the low-cut filter is designed to provide a smoother and more pronounced reduction in low frequencies, handy for combating noisy environments and proximity effect.
Measuring 200mm in length (about 8 inches) the SGM-250P is easily kept out of frame in boom pole applications and is suitable for almost any filming situation.
The SGM-250P comes with a leatherette, zipper carry pouch and a shock-absorbing mic clip with shoe mount.
In The Box
In The Box
In The Box
Professional mini (150 mm) shotgun microphone with hard wired 3-pin XLR output cable. Works perfectly with broadcast and prosumer cameras that supply phantom power. Includes shock mount holder with shoe and flocked foam windscreen.
The Special Edition SGM-PDII is a high-performance shotgun microphone that operates via Phantom Power (11-52VDC) only. Designed to fit right into the microphone clamp/holder of today’s high performance cameras, the SGM-PDII offers the same directional, quality sound as the popular and highly rated SGM-PII. The main difference is the SGM-PDII has a hard wired output cable while the SGM-PII terminates with an XLR connector, allowing the use of any length high performance microphone cable. Both models offer super directional sound pick-up, wide response and low noise.
In The Box
The Special Edition SGM-PII is a high-performance shotgun microphone that operates via Phantom Power (11-52VDC) ONLY. Designed to fit right into the microphone clamp/holder of today’s high performance cameras, the SGM-PII offers the same directional, quality sound as the popular and highly rated SGM-PDII. Where the SGM-PDII has a hard wired output cable the SGM-PII terminates with an XLR connector, allowing the use of any length high performance microphone cable. The SGM-PII offers super directional sound pick-up, wide response and low noise. Works perfectly with broadcast and prosumer cameras that supply phantom power. Includes shock mount holder with shoe and flocked foam windscreen.
In The Box
The SMX-100 is a high quality stereo shotgun microphone. Designed for broadcasters, videographers and audio professionals, the SMX-100 offers wide frequency response in a compact, lightweight camera-mount design. The M-S pick-up configuration means recorded signals are stereo and mono compatible making the SMX-100 an excellent choice for all video-based audio applications. External phantom power between 11 and 52 VDC is required to operate the microphone, which terminates with a hard-wired 5 pin XLR connector. The SMX-100 is 8.5” long and comes complete with a custom carrying case, high density foam windscreen and shock-mount microphone holder.
In The Box